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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS
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To Cut a Person's Arm with a Knife, through the Coat, without
Injuring the Cloth.-Turning to his next-door neighbour, who, I
need scarcely say, must not be a lady, the performer seizes a
knife and asks him whether he would like to have his arm cut. A
bloodthirsty slash in the air will add emphasis to the question.
The person questioned will invariably decline, with thanks, and
the performer then affects to think that the reason for the
negative is an objection to having the coat cut, and not on the
score of any pain to be inflicted. He assures his neighbour, with
great emphasis and earnestness, that any injury necessarily done
to the cloth will be immediately remedied, and that no traces of
a cut will remain. When it is begun to be realised that the cloth
is not to be cut, a joke is anticipated, and consent to the
operation will soon be obtained, especially if the performer
alters his manner, and becomes persuasive. It is necessary, in
order to invest the trick with interest, to work up a state of
apprehension to begin with, as it is but a small thing in
execution, and requires filling out.
When the necessary consent
has been obtained, the performer places a napkin or handkerchief
over the biceps of his neighbour, and, introducing the knife
underneath, commences to saw away at the arm. Presently the
patient will give a sudden start, and, if at all weak-minded, he
will shout "Oh!" as well. On being questioned, he will explain
that he distinctly felt the knife cut into his arm, which is,
indeed, precisely the feeling communicated to him. The secret of
the trick is simply a common pin, which, under cover of the
napkin or handkerchief, the performer takes from his vest, or
wherever it may be concealed, in the left hand. Both hands are
introduced under the napkin, the right hand sawing away with the
knife, with the blunt side against the coat. Great care must be
taken to employ a new knife, as old ones frequently have their
backs rather sharp, and the cloth might be cut in reality. Press
pretty firmly with the knife, sufficiently to make the patient
it, pushing only when pressure is put upon the knife. In time it
will work through the clothing-a quantity of which rather assists
the illusion-and, entering the flesh slightly, will cause a
sensation precisely as though the arm really were cut. The
performer at once stops, and either sticks the pin into the
napkin or in its former place of concealment, or else drops it on
the floor. The trick may be repeated upon other patients; indeed,
it is not easy to appreciate it unless it has been actually
performed upon one. The pin need only be dropped when the
performer notices looks of suspicion directed at his fingers. He
has others concealed about him, naturally. Black pins should be
used as being less likely to be seen, especially when dropped;
although so common an object as a pin upon the floor, even if
noticed, would scarcely excite suspicion. Still, it is always
best to think of every contingency, and provide for it, or,
haply, experience may teach the lesson in a harsh manner.
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