Magic Tricks

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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS

CHAPTER VII
TRICKS AT TABLE


HOW TO CAUSE A WINEGLASS WITH WINE IN IT TO VANISH -ITS STARTLING REPRODUCTION-FILTER TUMBLERS-HOW TO CAUSE A PLATE OR OTHER LARGE ARTICLE TO VANISH -HOW TO PERFORM THE CUP AND BALL TRICK WITH PLATES AND BREAD PELLETS-A DIE TRICK-MAGICAL SURGERY-A DESSERT OF CORKS-KNIFE-SWALLOWING MADE EASY: TWO METHODS

To Cut a Person's Arm with a Knife, through the Coat, without Injuring the Cloth.-Turning to his next-door neighbour, who, I need scarcely say, must not be a lady, the performer seizes a knife and asks him whether he would like to have his arm cut. A bloodthirsty slash in the air will add emphasis to the question. The person questioned will invariably decline, with thanks, and the performer then affects to think that the reason for the negative is an objection to having the coat cut, and not on the score of any pain to be inflicted. He assures his neighbour, with great emphasis and earnestness, that any injury necessarily done to the cloth will be immediately remedied, and that no traces of a cut will remain. When it is begun to be realised that the cloth is not to be cut, a joke is anticipated, and consent to the operation will soon be obtained, especially if the performer alters his manner, and becomes persuasive. It is necessary, in order to invest the trick with interest, to work up a state of apprehension to begin with, as it is but a small thing in execution, and requires filling out.

When the necessary consent has been obtained, the performer places a napkin or handkerchief over the biceps of his neighbour, and, introducing the knife underneath, commences to saw away at the arm. Presently the patient will give a sudden start, and, if at all weak-minded, he will shout "Oh!" as well. On being questioned, he will explain that he distinctly felt the knife cut into his arm, which is, indeed, precisely the feeling communicated to him. The secret of the trick is simply a common pin, which, under cover of the napkin or handkerchief, the performer takes from his vest, or wherever it may be concealed, in the left hand. Both hands are introduced under the napkin, the right hand sawing away with the knife, with the blunt side against the coat. Great care must be taken to employ a new knife, as old ones frequently have their backs rather sharp, and the cloth might be cut in reality. Press pretty firmly with the knife, sufficiently to make the patient it, pushing only when pressure is put upon the knife. In time it will work through the clothing-a quantity of which rather assists the illusion-and, entering the flesh slightly, will cause a sensation precisely as though the arm really were cut. The performer at once stops, and either sticks the pin into the napkin or in its former place of concealment, or else drops it on the floor. The trick may be repeated upon other patients; indeed, it is not easy to appreciate it unless it has been actually performed upon one. The pin need only be dropped when the performer notices looks of suspicion directed at his fingers. He has others concealed about him, naturally. Black pins should be used as being less likely to be seen, especially when dropped; although so common an object as a pin upon the floor, even if noticed, would scarcely excite suspicion. Still, it is always best to think of every contingency, and provide for it, or, haply, experience may teach the lesson in a harsh manner.