Magic Tricks

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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS

MISCELLANEOUS

ON APPARATUS. AND ITS USES AND ABUSES HOUDIN'S DIE ADDITIONAL EFFECT NEW METHOD THE GOLD-FISH TRICK: PISCICULTURE EXTRAORDINARY THE BOWLS AND COVERS THE CLOTH WHERE TO CARRY THE BOWLS HOW TO PRODUCE THEM BAD AND GOOD INNOVATIONS HOW TO CAUSE THE BOWLS TO DISAPPEAR MISHAPS GOLD FISH AND INK THE GLOBE THE LINING THE LADLE HOW TO FILL IT THE CARD THE TRICK IN A SMALL WAY  TRAVELS OF A GLASS OF WATE GOLD! GOLD! EVERYWHERE THE HEN FOR EVERY HOUSEHOLD THE BEST BREEDS: NO. 1. NO. 2, AND NO. 3 HOW TO HATCH YOUR EGGS WITH DESPATCH DECAPITATION NOT FATAL TO FOWLS "KLING. KLANG"   HOW TO STAND FIRE   THE INTERCEPTED BULLET   THE WANDERING GINGER-BEER BOTTLE THE PLUME AND THE SEED COOKING MADE EASY: HAT VERSUS SAUCEPAN A LITTLE ACCIDENT, AND HOW TO RECTIFY IT THE FLAGS OF OLD ENGLAND A NUT FOR BLACKSMITHS TO CRACK THE DRAWER BOX  HOW TO MAKE IT   WHEN TO USE IT, AND WHEN NOT  THE CONE BACCHUS' DOVECOTE HOW TO PREPARE THE BOTTLE HOW TO MESMERISE AND CAUSE A DOVE TO DISAPPEAR THE WINE-DRINKING CRYSTAL BALL BACCHUS' MAYPOLE ON PROGRAMMES AND TITLES HOW TO MAKE THE BOTTLE   THE ACCOMMODATING BOTTLE   HOW TO "WORK" IT SUCCESSFULLY ANOTHER METHOD THE MESMERIC SUSPENSION WAND: TWO METHODS   THE MAGI'S BRAZEN ROD THE BALLS HOW TO CHANGE THE RINGS  THE SHOWER OF PLUMES THE FAIRY FLOWER THE VASE

HOWEVER great the respect which one may have for sleight of hand pure and simple, it is quite undeniable that a set performance is greatly improved by the occasional introduction of some neat-looking, but not gaudy, apparatus. Under this head need by no means be included self-acting machinery, during the performance of which the performer acts as a mere puppet. All the apparatus mentioned in this work will require adroit handling; and the conjuror will do well to practise as thoroughly with each article as he would towards the acquisition of a feat of sleight of hand. Apparatus seems to have a malicious pleasure in going wrong, always on the most critical occasions, and, for this reason, the majority of skilful performers feel most happy when using very little of it. One thing may be taken for granted, viz., that apparatus, exhibited without the assistance of sleight of hand, and plenty of it, causes the performer to degenerate into a mere showman opening a box here, and taking off a lid there. In introducing apparatus, the performer must lay a very great deal of stress upon the sleight of hand portion of the business, as though therein lay the whole of the trick, the apparatus being a mere necessary evil in connection with it. By engaging the attention of the company with sleight of hand, it is drawn away from the apparatus, the spectators being so convinced of the performer's skill that they do not so readily accuse him of trusting to gaudy boxes and canisters for his effects.

Some of the apparatus described can be made at home, but, as a general rule, it is cheaper and more satisfactory to buy it at a conjuring repository. Low prices are the order of the day; and, as the articles are made by experienced men, they must be superior to those manufactured by persons new to the business.