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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS
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ONE of the most taking of all the tricks performed by the many
public exhibitors is that in which a hat is borrowed from the
audience, and at once from its interior are produced a quantity
of heterogeneous articles, the nature and number of which cause,
not only the greatest merriment, but also the most unbounded
astonishment that they should ever have found lodgment in so
unsuitable a receptacle as an ordinary "chimney-pot" hat. The
reader will hardly require to be told that every article which is
produced from the hat has first to be introduced into it by the
performer, and on the skill with which this is done will the
success of the trick depend. It must be understood that there is
no middle degree of perfection allowed in performing this trick.
No one must be able to say, "Yes; he got them in pretty well that
time I hardly noticed him." The motion which accompanies the
introduction of any article or articles into a
hat must be absolutely unobserved by anyone of the audience. No
extraordinary degree of speed is required, for success will depend
more upon the completeness of the arrangements made by the performer
for the accomplishment of his designs than upon mere rapidity of
movement, which, as I have often explained, is by itself of no use
whatever, it being impossible for the human hand to make any movement
openly so rapidly that it cannot be followed by the human eye. The
object of the performer being to introduce certain articles into a hat
without detection, anything falling below this accomplishment is
imperfect; but, at the same time, anything which goes beyond this in a
striving to obtain an ideal perfection is useless, and results in a
mere waste of energy.
The essence of the trick being that it is (apparently, at least)
performed for the most part whilst surrounded by the audience, the
articles to be produced must be chiefly such as can be concealed about
the performer's person. Of such a nature, the reader will doubtless be
astonished to find, are, when properly constructed, bird-cages
containing live birds, quantities of ladies' reticules, lighted
Chinese lanterns, and many other articles entirely at variance with
any possibly preconceived notions of what might ordinarily be
contained in a hat. The beginner, however, will have to commence with
less startling productions than bird-cages, &c., and graduate in the
art, as it were.
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