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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS
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THE uses of the palm will make themselves manifest in every trick in which money
is used as a medium, but the beginner can astonish his friends, and, at the same time,
make himself perfect, by any of the following minor tricks:
(a) Throw the coin backwards and forwards, from hand to hand, three or four times,
in a careless manner, always taking care that the left hand is shut well over each
time the coin is contained in it; and then make a feint of throwing, but, in reality,
palm the coin after the method that best suits its
size. The hand (in most cases it would be the left, as the majority of conjurers
palm with the right; with left-handed people it would be, of course, reversed)
which is supposed to receive the coin must be closed smartly, so as to make a
noise similar to that caused by a coin thrown into the palm. This is effected by
the ends of the two middle fingers striking the fleshy part of the thumb (Fig. 7).
If this is properly executed, the illusion is perfect, and all eyes will be directed
to the left hand, when the coin can be quietly placed in a side or tail pocket,
to which receptacle it may afterwards be made to pass from the left hand,
where it is supposed to be, in a
magical manner.
I would recommend the beginner to practice this movement sedulously in private,
as it teaches quick and neat palming, and will prove a most useful auxiliary to many
important tricks. By "passing" a coin from place to place in a magical manner"
is implied the act of pretending to do so; it being an accepted axiom amongst
conjurers never to "pass" anything invisibly to any given spot until the article
is already safely located there. This practice will, of course,
commend itself to all as avoiding untoward mistakes.
To pass a coin from the hand,
wave the wand over it, and say whatever you think will go down best with the
particular audience you have before you. A sharp rap on the knuckles
will complete the operation, but always take care to show the hand empty,
otherwise the trick is spoilt. If the wand is not handy, pretend to rub the coin away
between the fingers, or affect to give it to one of the audience.
(See Figs. 8 and 9 for an effective method.)
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