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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS
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Take a penny, in good condition, and make, or have made, by a competent person,
a groove. quite 3\10in. deep, all round the outer edge. This is very easily and most
efficiently managed by means of a lathe: but, wanting that useful machine, a
piercing-saw and flat needle-file will answer. When the groove is completed, with
the piercing saw cut the
penny into three pieces of equal width. Now take a very fine indiarubber band,
obtainable at all shops where rubber goods are sold, and stretch it round the groove.
The illustration shows the penny in three pieces, and also the band-actual size
before being stretched. In putting on the band, commence with the centre piece,
and then fit in the side pieces. the greatest care being necessary not to allow
the band to get twisted. The result of these operations, when concluded, is that
the penny can be folded up and made to occupy a space in width one-third of its
usual diameter. When held at a little distance from the spectator, the incisions
are not observable, especially before the penny is used for a trick,
the issue of which, being unknown, does not lead the suspicions of the audience
into any particular groove. As the act of folding causes a sharp strain to he
put upon the band at the junctions, the groove at those points must be carefully
filed, so as to completely do away with anything resembling a cutting edge, or
a disaster may very easily occur. Invariably, before using, the band should be
minutely examined, and, if the slightest signs of wear manifest themselves, it
should be changed.
The prepared coin (which need not necessarily be a penny) is generally used
in conjunction with a bottle, into which it is made to pass, via the mouth.
In order to make the trick at all satisfactory, a marked penny should be borrowed, and
exchanged, by any of the previously described methods, for the prepared one.
A soda-water bottle has been previously handed round for examination, and this
is taken in the left hand. With the right hand show that the penny is at least
as broad again as the mouth of the bottle, and then, folding it up quickly whilst
making a covering movement, and hidden by the body of the hand, let it fall through.
Show the bottle round to the spectators, continually shaking it, as if to convince
them that the coin is solid and real, but really to prevent the possibility of the
slits being seen. The trick can now be finished in two ways. viz., the bottle may
be broken, or the coin can be shaken out again. I fancy the breaking of the bottle
is the more effective, as the shaking out method impresses too forcibly upon the
mind of an intelligent company the fact that some mysterious, if ingeniously concealed,
preparation exists in connection with the coin. But the performer in this instance,
as in very many other cases, must be guided in his actions by the mental calibre
of the spectators. To shake the coin from the bottle, the latter should be taken
horizontally in the right hand, tile fingers of the left hand closing round the
mouth, leaving a hollow in the palm for the coin to fall into. A not too violent
sweeping shake is then given, bringing the mouth of the bottle downwards, when
the coin should pass into the left hand. Some little practice will be required
to insure this operation being brought off at the first attempt. Having to shake
the bottle three or four times looks unskilful, although it does not absolutely
spoil the trick. I have directed the use of a soda-water bottle because it has
sloping sides, which facilitate the operation of getting the penny out very
considerably, and also because it is made of white glass. If a coloured bottle
were used (which it must not be, if possibly avoidable), the spectators would
suspect that a coin had somehow been concealed in the interior before the trick began.
However the coin may be regained, whether by breaking the bottle or by shaking out,
it must be immediately re-exchanged for the borrowed penny, which will then be returned.
It is quite possible to have that coin palmed during the whole operation;
but if the performer lacks the necessary skill for this, it should be carried
in the ticket pocket of the coat. The conjuror should have every coat he wears
(excepting his dress one) furnished with this ticket pocket, and it will be
greatly to his advantage to have one on each side. It should not be too deep,
so that coins and other articles may be speedily reached with certainty, and
it should not have a covering flap.
The penny can also be prepared by omitting the groove, employing instead holes,
made completely through, across the slits, through which elastic is passed,
and fastened. As, for this purpose, flat elastic is immeasurably superior to
any other form, some trouble is entailed in making suitable slits through;
but, once accomplished, the article is far better than one prepared in any
other way. The elastic should run quite freely through the centre piece,
and be fastened with glue to the outside pieces only, first being slightly
stretched, to insure the whole being brought closely together. The grooved
penny can be purchased at a much less cost than would be incurred in making it,
and, in addition, is more likely to be correctly constructed.
The following is a development of the use of the folding penny, which is even
more startling than the foregoing, one or more pennies being made to pass into
a bottle, which has been examined, and which has the mouth stopped by a large
cork. In this case, the cork (Fig. 15) is a delusion and a snare. It is just
2in. long, and 1 1/16in. broad at the top, tapering to 15/16in. at the bottom.
Viewed from the exterior, it is a cork; in reality. it is made of brass, with
It thin veneer of cork glued on the outside. The measurements given include
the cork skin. The bottom opens, flap-like, on a hinge, but is kept normally
closed by means of a fine spiral spring. running the whole length of the inside,
and soldered on the
top and bottom. Protruding through a hole drilled in the top is a pin, which
also runs the whole length of the interior (carried inside a small tube), and,
when pressed, pushes open the bottom flap, thus allowing any contents there may
be to fall out into the bottle. When the pressure upon the pin is removed, the
power of the spring closes it again. This cork is charged with one or more folding
pennies (three or four are generally used), and concealed in the hand,
a genuine cork being handed for examination. The latter is changed for the
"property" cork, which is then placed in the bottle, which must be white,
and, of course, have a very wide mouth. The performer now produces some pennies,
which be may "pass" into the bottle in any way he pleases. A good method is to
use the two boxes described in "Grand Magic" as then the performer's hands are
free. But the pass shown at Fig. 11 may be employed, the bottle being taken in
the hand in which the coins are actually concealed. When the coins are being passed,"
the bottle must, of course, be held in one hand or the other, and pressure given
the pin by a finger at the proper moment. Where one coin only is used, it may
be simply palmed, which method would also apply where the performer is skilful
enough to palm several coins at once. In this case, the coins would merely be
held in one hand, and the bottle in the other, and the coins thrown into the bottle.
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