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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS
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Some years ago, there came over to England
a few Chinese conjurors, who were seen by the public but very
little, but who favoured me on several occasions with private
views. Their skill lay chiefly in the performance of such
delectable feats as swallowing sword-blades, tiny china cups,
glass balls, and large leaden plummets. Although appreciating
such tricks. I respectfully declined attempting to astonish my
audiences by their means. There was, however, one little trick
performed with four small marbles, which struck me as being
something quite novel and quaint. Of the four marbles (little
ivory balls are what I invariably use), one is concealed in the
fingers, as in the cup and ball trick, unknown, of course, to the
audience, who are supposed to know of the existence of three
only. These three the performer puts into his mouth-one at a
time, slowly, is the best way-to show that there is "no
deception." He now forms his left hand into a fist, and holds it
steadily in front of hill, thumb upwards, as though holding a
sword at rest. With the right hand he pretends to take a marble
from the mouth, the concealed one being exhibited.
The action of taking a
marble from the mouth must be imitated exactly; and this is best
done by rolling it along the lips until it travels from the roots
of the fingers to their tips. The sleight must be quickly done,
for the eyes of the audience are full upon the hand. Place the
marble on the top of the left hand, i.e., on the doubled-up first
finger, which, after a few seconds, open slightly, so as to allow
the marble to disappear in the hand. With the right hand actually
take a marble from the mouth, which will now contain two. Pretend
to place this marble on the left hand, as you did the first one,
but in reality conceal it. When the left hand is momentarily
covered with the right, as it feigns to place a marble upon it,
open the first finger, and, with the least possible jerk, bring
the first marble again to the top. The audience will think that
marble No.1 is in the hand and marble No.2 atop. After another
short pause, allow the marble to again sink in the hand, thereby
causing the idea that two marbles are concealed in it, and, with
the right hand, affect to take another marble from the mouth, the
concealed one being, of course, shown. Ostensibly, place this one
on the left hand (deception as before), and allow it to disappear
like its two supposed predecessors. At this stage, the state of
affairs will be thus:-The right hand, presumably empty, contains
one marble; the left hand contains presumably three, but in
reality only one marble; the mouth, presumably empty, contains
two marbles.
The performer then proceeds as follows: Allow the
marble in the left hand to sink until it is in the position for
concealing at the roots of the fingers. If with the tips of the
second or third fingers it can be pressed firmly home, so much
the better, for the command to vanish can at once be given, and
the hand opened-palm downwards, of course if the marble cannot be
secured in this way, the thumb must be brought into use in the
usual way; but the hand must be waved about a little so as to
cover the movement The three marbles are now supposed to be non
est. The performer can proceed to find the
first of them in whatever manner he pleases. He may pretend to
pick it from the table cloth, break it from the end of his wand,
or find it in the possession of one of the audience; how, is
quite immaterial. As each hand conceals a marble, it is also
immaterial which one is used. This first marble is placed on the
table, and another one found. This second one, instead of placing
on the table, the performer affects to pass into his ear,
concealing it as before, and after a few seconds, it appears at
his lips, the one thence protruding being, of course, one of the
two concealed in the mouth. Allow it to fall from the mouth, and
then proceed to find the third marble, which pass, say, through
the top of the head. The remaining marble in the mouth is then
exhibited, and the three wanderers are recovered. If the marbles
or ivory balls are not small, their presence in the mouth, when
they are not supposed to be there, will be discovered. I always
conceal one on each side of the mouth, between the lower gums and
the cheek.
Ivory balls are in every way preferable, as they do
not strike cold to the teeth, and do not rattle much, both of
which disagreeable properties are possessed by marbles. Any
ivory-turner will supply the little balls very cheaply. The
performer must study to execute this trick with the greatest
possible delicacy, or-especially before ladies - it will become
repulsive. The method of finding the balls after vanishing them
should be varied, each one being found in a different way. The
portion of the trick requiring the most practice is that in which
the left hand is opened. The knack of concealing the ball held in
it unobserved requires some little address.
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