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INTRODUCTION
PALMING
TRICKS WITH COINS
TRICKS WITH COMMON OBJECTS
TRICKS WITH CUPS & BALLS
TRICKS WITH HANDKERCHIEFS
CHINESE TRICKS
TRICKS AT TABLE
TRICKS WITH CARDS
GENERAL REMARKS
THE TABLE & DRESS
SLEIGHTS & PROPERTIES FOR GENERAL USE
TRICKS WITH CARDS
TRICKS WITH HANDKERCHIEFS & GLOVES
TRICKS WITH COINS
MISCELLANEOUS
THE CORNUCOPIAN HAT
TRICKS WITH WATCHES & LIVE STOCK
SHAM MESMERISM, CLAIRVOYANCE, etc.
FINAL INSTRUCTIONS
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THE FALSE SHUFFLE
This the conjuror will find a very useful adjunct to the pass.
There is nothing very difficult about it, but it is necessary to
be somewhat bold in executing it. The two methods of shuffling in
ordinary use are the perpendicular and the horizontal. The
perpendicular is the most businesslike, and I have no doubt that
it is used by most of my male readers who are card-players.
Ladies, I am aware, mostly patronise the horizontal shuffle, in
which the cards are passed from right to left, or vice versa,
alternately over and under. To illustrate the perpendicular
method, suppose the card to be at the bottom of the pack, just
passed there, and it is desired to keep it in that position. By
applying pressure with the fingers and thumb, the top and bottom
cards will be retained in the left hand when the right hand draws
away the rest of the pack, which is then shuffled over the two.
The operation can be repeated hundreds of times without fear of a
mistake. With the card at the top, the action is more
complicated, though not difficult. The pressure with thumb and
fingers must be made as before. This will bring the chosen card
from the top to second from the bottom. Commence the shuffle a
second time, and the card will be the bottom one of those held in
the right hand, the one recently beneath it having been drawn off
by the fingers of the left hand. It now remains to continue
shuffling vigorously until the chosen card alone remains in the
right hand, which then leaves it on the top of the pack in its
original position. For this shuffle, which I prefer to any other.
I have to thank myself. It is utterly impossible for the eye of
anyone, be he the most practised conjuror, to follow the
positions of the one card, even supposing that an opportunity for
minute investigation were allowed, which it scarcely would be
during a performance. When exhibiting before a select company of
extra sharp people who have vague notions of false shuffles and
passes, it is sometimes
advisable to bring the chosen card to the top, with one card or
more above it. You can then say, "Now, it is utterly impossible
for me to know where the card is. You see it is neither at the
bottom nor next to the bottom" (throw bottom card off), "nor is
it at the top" (throw as many cards off the top as are above the
chosen card). More than this the spectators can hardly expect you
to do. In the horizontal shuffle, with the card at the top, draw
the card off between the first and second fingers, and put all
cards which are shuffled above it between the first finger and
thumb. This will form two packs, divided by the first finger. The
final movement in the shuffle is the replacing the lower half on
the upper; but I prefer bringing this about by means of the pass.
With the card at t11e bottom, one has merely to shuffle the cards
in the ordinary way, just taking care that the bottom card is
shuffled last by itself to the top, where it may be left; or it
may equally easily be shuffled to the bottom again by simply
retaining it in the hand last. This is the simplest shuffle of
all, but it will not deceive enlightened people. I find it an
excellent method to combine two methods of shuffling. Great
rapidity of action should be studied; everything, however, being
practised very slowly at first, until the proper method is
secured. The false shuffle is very useful in covering the pass.
The pass should be made, and the shuffle at once proceeded with,
without allowing a fraction of a second to elapse.
Leaving the beginner to overcome at his leisure the various
difficulties connected with the mastery of single-handed passes,
I will describe some tricks performed by the aid of the pass,
assisted by the false shuffle alone, commencing with the most
simple. Lest the reader should say, "Oh! but no person in his
senses would be deceived by that simple thing," I will observe
that he should endeavour to suit his audience to his skill. The
learner should commence by allowing a card to be selected from
the pack, which he then cuts near the
centre, and requests the person who selected the card to place it
upon the lower portion. He then replaces the upper portion,
taking care to allow the little finger to intervene between the
two, so as to be ready for the pass, which must be made on the
first opportunity, and the pack handed to a spectator to hold.
Now say that you will cause the card chosen to rise from the
centre of the pack, where it is supposed to be, to the top, and
then let the holder of the pack show that such has actually been
done. By inserting the finger beneath the card before making the
pass, it will be brought to the bottom of the pack, whither you
can afterwards command it to go. In these instances the effect
will be spoilt if any shuffling takes place; but, in most of the
following, false shuffling should be resorted to, attention being
called to the fact that the cards are well mingled, and that you,
therefore, cannot possibly know the position of the chosen card
in the pack.
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